Jon Cleary
1974
Awards: Edgar
Rating: ★ ★ – – –
This book is sort of the Da Vinci Code of
1974. It, too, is a heist story set in the Vatican, so it has the same sort of
caper-in-the-inner-circle-of-the-Catholic-church thing going on. It, too, has a disillusioned, lapsed-believer lead male character and a gorgeous
Romance-language-speaking (Italian, in this case) lead female character
who end up running from the law through (almost) no fault of their own.
And they, too, are pursued the whole time by a creepy crazy man devoted to a
fanatical cause.
As a piece of writing, it’s a bit better than the Da Vinci Code. A little bit.
The
book starts with a group of IRA members plotting to steal some of the
Vatican’s treasures so they can use the ransom money to bribe corrupt
Ulster politicians and finally bring about peace in Northern Ireland.
They get Fergus McBride, the Vatican’s press relations man and the
American son of an IRA martyr, to help them get inside. But the heist
goes terribly wrong and they end up kidnapping the Pope instead. They
spend the rest of the book trying to figure out how to get out of the
situation with the ransom but without having to kill the Pope.
In
the meantime, the son of a German SS officer is running around Rome
trying to assassinate the Pope because the Pope, who is also German, was
imprisoned in Dachau during the war and gave evidence against his
father which led to his execution.
Problem #1 is that the characters are all unbelievable and annoying.
The
IRA gang is made up of an Irishman, an Australian, a tortured, internally conflicted Irish/English man, and the aforementioned McBride. The Pope
is a kindly German and the SS officer’s son is an evil German. The
Roman chief of police is a mustachioed, macho Italian. Each man is a
complete ethnic stereotype and acts according to type. (I found the
Irishman particularly over the top.)
And don’t even get me started
on the women. There are four women with substantial speaking roles in
the book. One is the “man-hating” (yes, that is a quote) nun who is the
secretary to the Pope. The second and third are the classic jaded prostitutes
with hearts of gold who work the street outside McBride’s apartment
building. And the fourth is McBride’s girlfriend Luciana, a member of
the Italian aristocracy. She is ravishing, passionate, prone to fits of
panic and fiery anger, and, of course, has a steel backbone when it
comes to protecting her man. Luciana is explicitly described as having elements of both the Madonna and the whore. I had thought that was always just an unspoken cliché.
Problem
#2 is that the writing and the plot both just plain drag. There was
just barely enough of a wisp of tension to keep me reading the whole way
through.
An earlier version of this review originally appeared on Cheeze Blog.
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