1958
Awards:
Hugo
Rating:
★ ★ – – –
A
Case of Conscience begins with biologist and Jesuit priest Father Ramon
Ruiz-Sanchez at the very end of a stint on the planet Lithia. He is there as
part of a team of four scientists whose assignment is to evaluate the planet
and give it a rating as to its usefulness and hospitability to Earth.
Lithia
has a hot, muggy, tropical climate. It has abundant plant and animal life,
including one intelligent animal species: twelve-foot tall reptiles who stand
on their hind legs like Tyrannosaurus rex.
The
Lithian natives’ most remarkable characteristic is that they rely completely on
logic and reason. They have no faith or belief system of any kind. This, of course,
bothers Father Ruiz-Sanchez quite a bit, just on principle. But what really
throws him for a major loop is that they don’t seem to need to have faith to
have a successful, ethical society. The Lithians have a stable, technologically
advanced, cooperative, crime-free culture, more disciplined and peaceful than
ours on Earth, with no reliance whatsoever on religion.
This
leads Ruiz-Sanchez to the conclusion, naturally, that Lithia and all its life
forms are creations of the devil. “Only the children of God,” he says, “had
been given free will, and hence were often doubtful.” Since the Lithians are
not beset by doubt–in other words, they aren’t bothered by “night thoughts”
such as: Why am I here? What is the purpose of existence?–they must not be
children of God, and are therefore children of Satan.
In
fact, he posits, Lithia may be a new devilish garden of Eden, with the Lithians
as the snakes in the garden, testing us, exposing our weaknesses, founding
their society on pure logic to make us question our faith.
This
makes it easy for Ruiz-Sanchez to decide how to rate Lithia: total quarantine.
STAY AWAY.
But,
unfortunately, his theories also put him in really bad stead with his church.
In Catholic theology, only God has the power to create life. So if Ruiz-Sanchez
believes that Lithia was created by the devil and that, therefore, the devil
has “creative” power, Ruiz-Sanchez is thus a heretic, and will have to be tried
in Rome and probably excommunicated.
Ruiz-Sanchez’s
life gets even more complicated when one of the Lithians gives him a hatchling—a
baby Lithian—as a farewell present, and he is honor-bound to take it back to
Earth with him. On Earth, it grows rapidly into a twelve-foot-high lizard
without the ethical code of its parents, gets itself a national TV talk show,
and begins fomenting unrest among the ever-present third or so of humanity that
feels cut off from society’s dominant cultural traditions.
A
Case of Conscience is a short little book that raises big issues. On the back
cover of my library's 2000 paperback edition, the Science Fiction Encyclopedia
says that it was “one of the first serious attempts to deal with religion in
SF, and remains one of the most sophisticated.”
I
think that is probably still true, and I respect it for that. My problem is
that I just wasn’t that thrilled with the story. The plot felt aimless and
unresolved. It neither answered the questions it brought up nor left me with a deliberate
ambiguity out of which I could draw my own conclusions. It seemed like it was trying
to do both, and did neither satisfactorily.
I
also didn’t really like the main character or his friends. And I didn’t
wholeheartedly buy the motivations of the hatchling, the priest’s enemies, or
the society at large.
Occasionally,
I run across memorable plot elements in older SF novels that appear (albeit
sometimes somewhat altered) in later pieces of fiction. In each case, it always
makes me wonder if it is just a coincidence or if the more recent authors
either consciously or unconsciously adapted them from the earlier books.
A
minor one in this book was a scene in which the main character uses mutant bees
to protect himself from marauding foes, which also happened in a key scene in The Hunger Games.
But
most strongly, this book kept reminding me of Orson Scott Card’s far more
satisfying Speaker for the Dead. That book, too, had a quasi-religious figure as the
main character who was trying to make sense of an alien world. And in both
cases, the indigenous intelligent species native had a unique biology, in which
they took very different physical forms as they progressed through different
life stages. If Card did borrow consciously from Blish, he certainly did it in
a way that not only honored the original ideas but also greatly improved on
them.
This review originally appeared on Cheeze Blog.
Will just finished Ender's Game and is now deep into Speaker for the Dead. He claims there is a third book, too, which was news to me. Did you ever read it?
ReplyDeleteGo Will! He is absolutely right. There are actually a whole *bunch* of other novels and short stories involving Ender. I haven't read any of them (yet!). I think Ender in Exile is supposed to come right after Ender's Game, and before Speaker for the Dead.
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