Book Review: A Canticle for Leibowitz

Walter M. Miller, Jr.
1960
Awards: Hugo
Rating: ★ ★ ★ ★ ★

This book is a great example of one of my favorite sci-fi sub-genres: post-nuclear-war Earth.

The book’s back story is that sometime towards the end of the twentieth century, a global nuclear war nearly destroyed all life on Earth. Afterward, bands of survivors turned in fury against anyone who they felt was responsible. At first this included mainly scientists and engineers and physicists but eventually came to include anyone who was merely literate.

The few learned people who escaped being killed by angry mobs fled to the one institution that would protect them – the Catholic Church. There, a former electrician named Leibowitz organized them into “memorizers,” who memorized as many of the old texts as possible (as in Fahrenheit 451), and “bookleggers,” who scavenged for any books that may have survived and brought them to the abbeys to be hidden.

The story is told in three parts, each separated by hundreds of years from the next. All three parts center on the brothers of the Order of Leibowitz, who live in a remote abbey in the post-war desert that used to be the southwestern United States.

The first part of Canticle opens several hundred years into this dark age. There is no electricity and no industry; the country is divided into loose territories ruled by warlords; people dress in homespun and grow all their own food; travelers are terrorized by bandits.

Our introduction to the world of Canticle is through the eyes of Brother Francis, an earnest but somewhat addled young novice in the Leibowitzian Order. To Francis, the long-past nuclear war was “the Flame Deluge” and the period where the survivors murdered anyone literate was “the Age of Simplification.” The remnants of the war around him – the crumbled buildings, the mutant people – are all part of a divine plan.

So much time has passed since the war ended that the technical “Memorabilia” that Brother Francis and the other priests have painstakingly saved, stored, and recopied is inscrutable even to them. They have a vague sense of their own history and purpose only through religious stories and parables that they have memorized by rote. The most basic technological accomplishments of “the ancients” (us) in the “twilight of the age of enlightenment” (the end of the twentieth century) seem like magic.

Eventually, however, we see particularly curious scholars studying the abbey’s library and gradually starting to piece together the technology of the old world.

One of the best aspects of this book is the writing itself. I usually like what I’m reading to be straightforward and plain. But the religious imagery and the thoughts and conversations that Miller's characters have are beautifully, archaically written and, at the same time, funny, ironic, and interwoven with modern content. There are entire sections of the narrative that read like poetry. It’s like Lord of Light, but Christian.

In the beginning of the book, for example, Brother Francis is out in the desert suffering through a thirty-day Lenten vigil when he stumbles across a tremendous find: a long-buried fallout shelter containing relics that may well be connected to the Beatus Leibowitz himself. When Francis reads the ancient sign that says it is a Fallout Shelter, however, he is horrified and won’t open the door. After all, the Fallout Shelter may very well contain a Fallout – “a terrifying beast, a fiend of Hell” – and if he opens it, the Fallout could escape and eat him. To steel his courage, Francis says some of the vesicles from the litany of the Saints:

From the place of ground zero,
O Lord, deliver us.
From the rain of the cobalt,
O Lord, deliver us.
From the rain of the strontium,
O Lord, deliver us.
From the fall of the cesium,
O Lord, deliver us.

From the curse of the Fallout,
O Lord, deliver us.
From the begetting of monsters,
O Lord, deliver us.
From the curse of the Misborn,
O Lord, deliver us.
A morte perpetua,
Domine, libera nos.

What makes this book great, though, is that not only is it well-written and funny, but it is also depressing and sad.

Throughout the entire book runs a feeling of dread: that humanity may be doomed to an endless cycle of self-destruction. We grow, we learn, we invent, we come to think that we can create Utopia. And then, when we realize that we cannot, we become hopeless and frustrated and angry and crush what we have made.

On the one hand, you feel sorry for the war survivors, fumbling blindly through the world with no electricity or labor-saving devices. You want them to benefit from knowledge, to emerge from the dark. But at the same time you dread the inevitable destruction that knowledge appears to lead to. You know that if they do not recover the science, there will be no danger of another nuclear war. As Miller says in Canticle:

Listen, are we helpless? Are we doomed to do it again and again and again? Have we no choice but to play the Phoenix in an unending sequence of rise and fall? Assyria, Babylon, Egypt, Greece, Carthage, Rome, the Empires of Charlemagne and the Turk. Ground to dust and plowed with salt. Spain, France, Britain, America – burned into the oblivion of the centuries. And again and again and again.

Are we doomed to it, Lord, chained to the pendulum of our own mad clockwork, helpless to halt its swing?

All of this takes on much more weight when you find out that Miller shot himself in 1996 at the age of 74. At the end of my 2006 paperback edition of Canticle, there is an end note that informs you not only of his suicide, but also that he was a tail-gunner in a bomber in World War II, “participating in more than fifty-five combat sorties, among them the controversial destruction of the Benedictine abbey at Monte Casino, the oldest monastery in the Western world.”


An earlier version of this review originally appeared on Cheeze Blog.