Vonda N. McIntyre
1996
Awards: Nebula
Rating: ★ ★ ★ – –
SPOILER ALERT
The Moon and the Sun takes
place at the court of Louis XIV at Versailles. The main story revolves
around a minor lady of the court, Marie-Josèphe, whose beloved brother
Yves is one of the king’s scientific explorers. On one of Yves’ ocean
voyages he manages to capture two humanoid sea monsters. One of them
dies in the process but he brings them both back to Versailles,
installing the live one in a pool and conducting a dissection of the
dead one under observation by the king.
The living sea monster
becomes the attraction of the summer at court, with nobles coming to
gawk at her in her pool. Marie-Josèphe is the only person willing to pay
enough attention to the sea monster (and to spend time with her outside
of gawking hours) to realize that she is an intelligent creature and
thinks like a human and can communicate (through song).
Unfortunately,
of course, no one believes Marie-Josèphe about this. And, in fact, the
king wants to cook and eat the sea monster at a banquet. So
Marie-Josèphe and her brother have to engineer an escape.
This is actually a novel of alternate history, but you don’t know that until the very end. The idea is that this all really did happen; there really were intelligent sea monsters living in the ocean in the 1600s, and two were brought
back to Versailles. But in our version of history, the sea monster was
eaten by the king and the world was never any the wiser and all the sea
monsters went extinct, most killed by sailors who didn’t know what they
were killing.
In The Moon and the Sun’s
version of history, Marie-Josèphe and her brother saved the sea
monster, humans found out that they were not the only intelligent
species on earth, human-sea monster diplomatic relations were
established and it changed history right down to the modern day.
The
story itself was so-so. But it served as a great vehicle for embedding
you in life at Versailles. I thought the best parts of the book by far
were the everyday details and nuances of court behavior – including how
the women did their hair and handled their periods – which really made
the era come alive.
I liked how every little part of the king’s
life got blown up into something unbelievably ceremonial and elaborate.
The very highest-ranking nobles at court, for example, had the dubious
honor of being required to get up super-early, dressed to the nines, to
attend the "awakening" of the king each morning. (The king actually woke
up several hours earlier and had his hair and makeup and clothes done,
so what the courtiers saw was really his second awakening, but you can’t
have the king looking disheveled.)
There are also some great
king-related moments around the otherwise sad scenes of the dead sea
monster's dissection, which the king insists on attending in person. One
day he is unable to come, so the men-at-arms bring in a portrait of the
king instead and put it on the king's chair, and everyone has to act
like the portrait is the actual king.
This review originally appeared on Cheeze Blog.
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