Robert A. Heinlein
1966
Awards: Hugo
Nominations: Nebula
Rating: ★ ★ ★ – –
Normally I can't stand Heinlein and his misogynistic Ayn Randian treatises. But this novel was one of his least bothersome (second only in least-bothersome-ness to Starship Troopers).
Basically,
if you are able to ignore any references of any kind to women or
economic theory, you’ll be able to enjoy the solid science fiction story
that makes up the bulk of this book.
The Moon Is a Harsh Mistress takes
place, naturally, on Earth’s moon. It is the 2070s and there are large
settlements on the moon, or “Luna.” Luna is primarily a penal colony –
like Australia was in the early 19th century – and most of Luna’s
residents are either convicts or descendants of convicts who were exiled
there. Many are serving out additional sentences working as indentured
servants for the tyrannical Earth-based Authority corporation.
The
moon’s population is an incredibly diverse mixture of races, cultures,
and languages; the only thing that all “Loonies” all have in common is a
fierce resentment of Authority and the Terran domination it represents.
Mistress is about how the
people of Luna find their legs and their voice, join together in
solidarity to fight for their independence from Earth, and form a new
society once they have their freedom - ta da!
The
book’s main character, Manuel (“Manny”) O’Kelly Davis, is a
multi-racial, multi-lingual, highly skilled technical fix-it freedman
with one arm. The entire book is told from his point of view (and,
entertainingly, in his strong Russian accent).
The
story starts when Manny is called in to fix a glitch in one of
Authority’s central computers. During the fix, he discovers that the
computer is self-aware and the glitch was a joke, a product of the
computer’s malicious sense of humor. Manny names the computer Mike
(after Mycroft Holmes, Sherlock’s brother) and the two of them become
fast friends.
Initially, Manny has no interest in
organized rebellion and is caught up in the Free Luna movement almost by
accident, by attending one little meeting that gets raided by police.
But his technical abilities and the advantages he gets from his
relationship with Mike, who controls the entire network of Authority
computers on Luna, propel Manny rapidly right into the center of the
struggle and, eventually, the war.
The war for
independence puts our hero on an interesting ethical standing. It is, in
some ways, an indigenous, grassroots rebellion, but mostly it is
carefully orchestrated by Manny, Mike, and a small circle of their
closest friends. They provoke Terra into attacking first so they can
look like justified martyrs, they fix elections, and they use
censorship, semi-truthful propaganda, and harassment (or terrorism) to
accomplish their goal of a free Luna.
This book was a tricky one for me to evaluate. It has a large dose of the two elements I can’t stand – and I mean really can’t stand – about Heinlein.
One of these is his awful sexism.
Heinlein’s occasional claims of “respect” for women only make him look
worse; he is the classic example of a man who puts women up on a
pedestal so he can look up their skirts.
The other is
his inescapable, simplistic, and pompous Randian economic and social
philosophizing. You can never get too far in a Heinlein book before some
character goes off on a smug anti-taxation rant.
But,
on the other hand, Manny Davis is one of Heinlein’s more appealing
characters. He is pragmatic and practical and doesn’t have time for a
lot of unrealistic idealism and messing around.
And the moon of Mistress is
a darned gritty and satisfyingly realistic setting. Heinlein surrounds
his characters with believable underground living quarters and work
environments; sensible pressure suits and other equipment; rich family
histories and appropriate social structures; and a rich Loonie pidgin.
It is easy to picture it as a real, functioning lunar colony.
This review originally appeared on Cheeze Blog.
Yes! A Robert Heinlein book so awesome that even Cthulhu has to like it!
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